"If you demand honest home theater sound
from an elegantly tiny array of speakers, this is one of the better
examples I've encountered."
In the January 2001 issue of Sound & Vision provides an
encouraging review of our smallest home theater system, combining
four Alpha Intro LRs for main and surround speakers, an Alpha Intro
CLR as center channel, and an Alpha SubZero. (Also see Andrew Marshall's
glowing review of various mixtures of LRs and CLRs, linkable from
the end of the review below.) Here are some excerpts from Daniel
Kumin's review:
"The latest additions to PSB's well-regarded
Alpha family of speakers are consistent with the Canadian maker's
reputation for technically solid engineering and high value. The
Alpha Intro speakers are strikingly simple, showing no effort to
make them look like more of less than they are. I like that. And
they're priced so a complete [surround] system can cost less than
$900 (depending on the sub you choose). I like that too."
"For our test system, PSB matched the Intro
satellites with its smallest and least expensive subwoofer, the
Alpha SubZero. It's surprisingly effective for a sub with an 8-inch
driver."
"Compared with my reference small speaker
systems [at a cost per stereo pair that's almost three times as
much as the entire Intro surround system] the front Intro LRs sounded
very good indeed, with just a slight touch of midrange dryness
"
"The diminutive SubZero went considerably
lower into the bass, and with more oomph, than I expected. It had
plenty of depth for most pop music or jazz (not including hip-hop
or techno synth-bass), giving enough weight and an accurate overall
balance
The little sub sounded fairly smooth too
"
"The Alpha Intro system did an excellent job
reproducing the very low-level Foley effects and whispered dialogue
in Gods and Monsters with fine clarity and intelligibility.
Front-to-side imaging was first-rate, yielding smooth pans and stable
virtual locations for sound sources falling between speakers. Discrete
rear surround effects sounded fine as well, although as I
had expected the direct-radiating Intro LR surrounds tended
to localize effects more than dipole surrounds generally do. Ambience
reproduction was good."
"If you demand honest home theater sound from
an elegantly tiny array of speakers, this is one of the better examples
I've encountered."
Info on the Alpha Intros
"The bottom line is that the PSB Alpha Intro
system pretty much kills the competition in its price range and above."
In the Winter (Issue #136) edition of Canada's Audio Ideas
Guide audio veteran Andrew Marshall has some very laudatory
things to say about our new Alpha Intros. Some excerpts below:
"These new Intro models from PSB are
made in China, with drivers personally designed by Paul Barton.
It's still not often that you find an aluminum-dome tweeter at this
price, and here it's mated with one (LR) or two (CLR) 3-1/2" poly-coned
woofer/midrange(s)."
"And how does this extremely compact system
perform? Well, I still look at the Intro measurements, weeks
after making them, with some amazement. One might expect such linear
results in an expensive compact system...but on paper the Intro
system is notably superior..."
"Let's look at the LR's PNS (Pink Noise
Sweep) and SAR (Summed Axial Response), which almost perfectly overlay
except at the highest frequencies, and even that's a good thing
because it indicates in the SAR well controlled high-frequency dispersion.
But looking across the range, we see an under-$300 speaker [under
$200 in the US] that is +/- 1.5 dB from 150 Hz to 10,000 Hz in the
PNS. That's phenomenal at any price, let alone in a Chinese-made
ultra budget model!
"Even the unsmoothed quasi-anechoic measurement
is exceptionally linear, while the axial curves beneath it show
a little lobing off axis but very good response through the midrange...Pink
Noise Sweeps at 0, 15, and 30 degrees off axis for the CLR ...show
it to be very smooth on all axes, and impressively free of the midrange
dip that troubles most centre channels that flnak the tweeter with
the bass/mid drivers. In other words, this is a centre channel that
promises clear articulation of dialogue at both ends of the couch.
The CLE is also a speaker that is plausible in 5s, just as the LR
could easily be used as a centre channel in addition to all around.
In the former case, you'll get better power handling with the additional
drivers, while in the latter you achieve perfect timbre matching,
though the match of the two sibling speakers is near perfect, anyway."
"The impedance and phase curves for both Intro
models are quite benign...midrange phase angles are also quite mild,
making this system quite easy to drive. The small enclosures and
front baffles should also contribute to very coherent sound from
point sources, which translates into good imaging.
"With spectacular measurements like these,
you'd expect good sound, though the Intro system did not
exhibit quite the resolution of some more expensive speakers...But
the well controlled directivity resulted in excellent imaging all
around, with just a bit of midrange emphasis, and excellent clarity
on dialogue from the centre channel. The system also had good depth
from its point source imaging.
"I guess I'm being conservative in saying
these things, because we're comparing this inexpensive system to
much more costly competition. The bottom line is that the PSB
Alpha Intro system pretty much kills the competition in its
price range and above. Both the LR and CLR could be the cornerstones
of a really good home theatre system, the latter offering greater
dynamics all around, while both, in 5s, provide near perfect timbral
matching. They're both handsome, able to hide in shelves or hang
on walls, and finally, they are that audiophile oxymoron, compact
home theatre speakers that deliver true high fidelity sound quality.
And they do it for $1,100 ($900 in the US), including the SubZero
sub!"
Info on the Alpha Intros
In the June 2000 issue of Home Theater, Kevin Hunt gives
our All-Out Alpha Home Theater system (Alpha A/Vs up front, Alpha
Minis as surrounds, Alpha Center in the center, and Alpha SubSonic
5 subwoofer) a rave review. Here are some details:
"The Alpha has evolved since 1991, Darwinian-style,
from a benchmark in sub-$200 monitors during the two-channel era
into a family of small, smaller, and smallest Alphas designed for
home theater."
"Designer Paul Barton, who started PSB speakers
in 1972 between his high school graduation and his first year at
the University of Waterloo in Ontario, Canada, continues to keep
the Alpha current. In 1996, he redesigned the speaker for a surround
sound system, adding magnetic shielding and a new woofer (6-inch
poly-coated fiber cone) and tweeter (1/2-inch ferrofluid-cooled
poly-flare dome). Labeled the Alpha-A/V, this new speaker joined
the Alpha Mini, the tiny Alpha Mite, the Alpha Midi center channel,
and two SubSonic subwoofers in the family Alpha.
"More recently, Barton has designed a bigger
center-channel speaker, the Alpha Center, and re-engineered both
subwoofers. The system reviewed here features the Alpha Center,
the SubSonic 5 (which replaced the superb SubSonic 1), Alpha-A/Vs
for the front channels, and Alpha Minis in the rear. It retails
for a shade over $1,000 and it's not even PSB's bargain-basement
system. That would be four Mites, a Midi center channel, and the
SubZero subwoofer for about $750.
"PSB has brought to home theater the same
principles that distinguished the Alpha in its two-channel incarnation.
PSB loudspeakers from the Mite to the flagship Stratus Gold-I, have
enormous sonic integrity, characterized by Barton's three pillars
of design: a smooth tonal balance, accurate imaging, and extended
frequency response. The Alpha-A/Vs play remarkably loud without
strain, perhaps unparalleled in the small-fry division.
"Many credit Barton's music background
he has played violin much of his life for achieving natural
sound, even in low-priced, small speakers. It probably doesn't hurt,
but PSB's success is more likely owed to Barton's good ears and
considerable work since 1974 at Canada's National Research Council
in Ottawa. Barton was the first Canadian designer to use the NRC;
he says he's still there one week out of every six in their
anechoic chamber, measurements laboratory, and two listening rooms.
It's no coincidence that, thanks to the NRC, Canada puts out some
of the best and most economical speakers in the world
"PSB stands for granite-solid bass and a smooth,
nonfatiguing upper frequency. The original Stratus Gold was the
last word in bass response for a $2,000 speaker. Unfortunately,
it was also a bit unwieldy
(The new, slimmed-down Gold-I must've
gone through the Jenny Craig crash course.)"
"Because of the Alpha's distinguished history
and my experience with the Stratus Golds, I knew I wouldn't have
to worry about music production. But what started as a brief, all-Canadian
salute to break in the PSBs from Diana Krall to DD. Jackson
to Ron Sexsmith ended up as an anything-goes, up-all-night
(to 3AM, at least) listening session. The Alpha-A/V sings just like
its predecessor
Everything comes together when your listening
position is lined up within an inch of the tweeter's height. You'll
get a huge soundstage but not quite the depth and ultra-precise
imaging of those snobbish, high-priced monitors. So keep the Alpha-A/Vs
at least 2 feet off the floor (PSB sells stands for this purpose)
and fairly close to the rear wall for the best bass response.
"The Alpha Center is a significant upgrade
over the Midi, which is essentially a Midi turned on it side. The
two woofers create wider horizontal dispersion and greater clarity.
I tried to trick the Center by playing Pink Floyd's The Wall,
the movie that's not a movie (there's no dialogue), yet it showed
how well it matched the rest of the Alpha system. It did what it
was asked to do musically."
"The Alpha system passed my "quiet movie"
test, in which dialogue and atmosphere rule over explosive action.
It presented The Sweet Hereafter, Atom Egoyan's bus-plunge
downer, in all its dreary quietude and never betrayed the stillness
"The Alphas also sped through a special-effects
obstacle course of assorted James Bond films and the wicked (but
sadly overlooked) Dark City one of the great science-fiction
movies of recent years. The SubSonic 5 was perhaps the biggest surprise
in the Alpha system. In most cases, the subwoofer is the weakest
part of any budget surround system. Let's just say that the SubSonic
5 is the Alpha of sub-$500 subwoofers."
"Granted, the original Alpha no longer stands
by itself
But let's see how many speakers can match the Alpha-A/Vs
sound quality and ability to remain coherent even at the highest
volume levels required by home theater."
"I also tried moving the A/Vs into a two-channel
system with a pair of Golden Tube SE-40 amplifiers, an EAR 834L
preamp, and a Rega Planet CD player in a 27-by-12-foot space. The
sound filled the room, easily matching the much larger speakers
they replaced, the MartinLogan Aerius 1.
"So don't dismiss the Alpha ensemble as a
budget system. You can build a monster home theater and a
sweet-sounding music system around it. Take all the extra
money you were going to spend on loudspeakers and invest in better
electronics, an even better big-screen TV, or a second subwoofer.
Only the strong survive home theater. And PSB, as ever, remains
one of the strongest."
Info on the Alpha Home Theater Systems
In the June 2000 issue of Stereophile, Chip Stern reviews
an expanded version of the NAD Music system, combining NAD's L40
CD receiver, our Alpha Mini speakers, our potent Alpha SubSonic
5 subwoofer. And he very much likes what he hears. Here are some
excerpts, beginning with how he views the real function of good
audio components.
"The spiritual experience of immersion in
music remains paramount for me, and anything that deepens such encounters
or makes them more involving motivates me to reach out to my fellow
music-lovers, to help them find a viable synergy of their own."
"Listening to the elitists, one might conclude
that it's all a matter of how much money you can spend, and since
you will never be able to afford it, why bother? Or you might buy
into the naysayers' disclaimers that that the audible differences
audiophiles claim to discern are largely illusory, and any old combination
of stuff that specs the same will sound the same. Besides, we've
already proved we can deceive your senses in blind tests
so why bother trusting your ears or making long-term
investments in quality components?
"The bottom line is that high-performance
audio isn't simply synonymous with "expensive it's supposed
to be fun. Are we suggesting that a sub-$2,000 system can
sound as good as a $20,000 system? Not hardly. But in the real world,
where budgetary and space limitations are the rule, we often find
ourselves reaching our in frustration to aural initiates, spirit
to spirit, eager to perform good works so that they can enjoy a
level of involvement commensurate with what we routinely experience
in our carefully crafted aural nirvanas...reduced in depth of scale,
perhaps, but not in absolute quality of musical resolution.
Outlining how he became interested in the NAD/PSB combination at
Hi-Fi '99 in Chicago, Stern talks about what it does and how friends
of his consistently were amazed by the system, and invariably called
it "really good!."
"'Really good,' as in: if my house burned
down tomorrow, if I had to suddenly liquidate all my belongings,
if my wife threatened to leave me if I didn't get rid of all the
boxes in the hallway, I could live with this. 'Really good,
as in: This is fun. 'Really good,' as in I'm going to
buy one for me and another for my mom."
Stern then gets into the specifics of how the Alpha Minis and the
Alpha SubSonic 5 mate and enhance each other:
"As the Alpha Mini's frequency response is
rated at 68Hz-21kHz, I generally crossed over to the SubSonic 5
at around 70Hz (using the L40's pre-outs for the best integration
between subwoofer and satellites, though this leaves the latter
running full range.) Listening in the nearfield, I was struck by
how profoundly the subwoofer opened up the soundstaging and focused
images, letting the sweet, open, full-sounding Alpha Minis strut
their stuff. Yet as often as not I would turn the sub off
and spend whole afternoons at the computer, immersed in the Alpha
Mini's clear, holographic, non-fatiguing sound so musical,
so inexpensive.
"No, sports fans, 68Hz isn't terribly
low, but the manner in which a speaker goes down is more
critical than how deeply it can bellow. The Alpha Mini's bass extension
was so tight and linear, its harmonics and overtones so dead on,
that I found myself filling in the missing bass fundamentals using
my own onboard psychoacoustic bio-aural octave-x-citer. Don't have
one? Come now, check your original warranty."
"This is where folks who want to fill a room
with sound will appreciate the cost-effective attributes of the
quick, articulate Alpha SubSonic 5, which PSB claims is capable
of 150W dynamic power in a 10" bass-reflex system. It was the speed
and focus of the old SubSonic 1 that had originally impressed me.
That little sub could deliver larger-than-life effects, but I was
more impressed by its ability to add depth to the foundation of
the overall soundstage, and to 'disappear' in the process.
"For the same money, the new SubSonic 5 offered
more dynamic control and articulation. On The Artist's proto-funk
recordings I was able to push the leading edge of bass transients
harder than I could with the SubSonic 1 without the SubSonic 5 blurring,
self-limiting, or compressing the entire soundstage. Yet on a vocal
performance like Ella Fitzgerald's romp through Nilsson's "Open
Your Window" (from Ella Fitzgerald in Budapest, Pablo PACD-5308-2),
the SubSonic 1 helped snap the soundstage into sharp focus, further
articulating her sumptuous phrasing at more modest volume levels.
The SubSonic 5 let me hear more live room cues, images were rendered
with greater detail and stability, and the whole system was more
revealing."
Stern's conclusions:
"The NAD L40/Alpha Mini/SubSonic 5 is everything
a high-end system should be: clear, open, detailed, articulate,
accurate, stable, textured, musical, involving, and eminently affordable
all at a price that will encourage even the most budget-conscious
music lovers to invest in their first high-end system, while seasoned
campaigners contemplate just how involving the sound might be in
their kitchens, studies, bedrooms, and summer houses.
"So why tarry, aural pilgrims? The price is
right and this is fun."
More Info on the SubSonic 5 and
on the Alpha Minis
"PSB Alpha speakers have evolved from audio
legend to home-theater-legend-in-waiting."
In his column in the Harford Courant, syndicated nationwide
and posted on the web at ctnow.com, Kevin Hunt has taken an enthusiastic
look at our All-Out Alpha Home Theater System, consisting of Alpha
A/Vs up front, Alpha Minis as surrounds, an Alpha Center as center-channel,
and the Alpha SubSonic 5. Here is what he had to say:
"Loudspeakers are the 5.1 most important decisions
you'll make when putting together a home theater. A few wrong moves
could leave you knee-deep in little boxes made of vinyl-coated fiberboard
that sound like a flock of Canada geese. We all know how distasteful
that can be.
"Because of the number of speakers
two front, a center, two rear, and a subwoofer, the 'point-one'
channel in Dolby Digital designation it's hard to avoid getting
stuck with a [terrible] home theater on a budget of $1,000 or less.
You'll find something that will rattle the timbers with a soundtrack
laden with special effects, certainly. But what happens when those
speakers cannot hide behind a thunderclap? Most often, any non-Metallica
audio CD will expose your new system as a lightweight.
"Few budget speakers get it right on both
movies and music. To find some that do, look to the north. Keep
looking, over the border and into Pickering, Ontario, where PSB
Alpha speakers have evolved from audio legend to home-theater-legend-in-waiting.
The Alpha, introduced as a sub-$200 [pair] bookshelf speaker in
1991, now preside over an entire family of home-theater Alphas,
from the Mite, the Mini, and Midi (a smaller center-channel speaker)
to the SubZero and SubSonic 5 subwoofers.
"Paul Barton has the requisite qualifications
of a top loudspeaker designer. He's a longstanding audio nut who
started the company in 1972, between his high school graduation
and his first year at the University of Waterloo. He's also a musician,
having played violin most of his life. Barton was the first designer
to take advantage of Canada's National Research Council, with its
anechoic chamber (with surfaces that fully absorb sound), measurements
laboratory, and listening rooms. He started work at the NRC in 1974
and says he still spends one of every six workweeks there.
"As more designers used the NRC facilities,
Canada entered a golden age of loudspeakers
supplying some
of the world's best, and best bargains.
"Paul has updated the Alphas for the 2000s
while preserving characteristics of the original Alpha: smooth tonal
balance, accurate imaging, and extended frequency response. I've
been listening to an all-Alpha system with the Alphas up front,
the Alpha Center, the Alpha Minis in the rear, and a SubSonic 5
subwoofer. The system retails for $1,066 [in the US], which is bargain-basement
territory in home theater.
"The Alpha is a classic bookshelf design,
only 13 inches high, 8 wide, and 10 deep. The Mini is essentially
the same speaker in a slightly smaller package [with a smaller woofer].
The Alpha Center shares the same tweeter as the Alpha and the Mini.
It uses two 4-1/2-inch woofers, identical to the one used in the
Mite. Speakers that share many critical components ensure a system
that's well matched tonally.
"As a home theater, a speaker system is only
as good as its subwoofer. The SubSonic 5, which features a 10-inch
woofer and built-in 65-watt amplifier capable of 220-watt dynamic
peaks in a package only 16 inches high, is more than a one-note
pony for special effects. The sub also gives CDs added weight without
overwhelming the music.
"Most striking about the Alphas, aside from
their uncanny smoothness for budget speakers, is their tolerance
of loud volumes. Other small speakers gain noticeable, and bothersome,
shrillness at higher volumes. The Alphas keep sailing, as if they
are much larger speakers.
"There's no room in the average house too
big for this Alpha system. If you want home theater in a tiny room,
you can Alpha-size it. A system featuring four Mites as front and
rear speakers, a Midi center speaker and SubZero subwoofer retails
for $756 (US).
"PSB speakers can be hard to find (visit www.PSBspeakers.com
or call 888-772-0000), but your search will be rewarded for many
years with a superb music system that just happens to be great little
home theater."
Info on the Alpha Home Theater Systems
"I'm talking exceptional bang for the buck."
The $ensible Sound Reviews The Alpha Series
In the June/July issue of The $ensible Sound, Thom Moon
does some thorough listening to the Alpha Series not in their
use in home theater, which Moon isn't set up for, but as musical
reproducers for stereo playback. He listens, with obvious pleasure,
to the Alpha A/Vs, the Alpha Minis, and the Alpha SubSonic 1. Here
are representative highlights of his findings:
"Designer Paul Barton told me that his objective
with the original Alpha was to offer a speaker that would fit into
any budget and nearly any room. He believes that three characteristics
are required of a quality speaker system: Tonal balance:Its
sound should be lifelike from octave to octave;" Range: It
must convincingly reproduce a wide frequency range and have a wide
dynamic range; and Imaging: Instruments and performers must
be reproduced in real-life spacing across the soundstage."
"For the Alpha series, he added two more criteria:
efficiency and power handling capability, given the
wide range of equipment with which the Alphas might be matched.A,
"He's done a good job. I've been listening
critically to the Alpha A/V and Alpha SubSonic 1 combination for
nearly six months. The Alpha A/Vs are fine small speakers on their
own, but they form an even better package when coupled to the Alpha
SubSonic 1."
"From the first, I liked the PSBs sound. They
did a fine job on acoustic guitar (Lee Ritenhour/Fourplay,
Tuck Andress/Tuck & Patti, Gordon Lightfoot, Los Angeles Guitar
Quartet, and more) and on most piano (Diana Krall,Claire Martin's
pianist, Ronan O'Hara on Satie's Nocturnes 1-5). The sub
really kicks in nicely on songs with strong bass/kick drum lines
such as "Bali Run" by Fourplay (Warner Bros 9 26656-2) and "Fantasy"
by Earth, Wind & Fire (Columbia PC 35647). And it articulates
complex bass lines very well
on songs such as "I Want You Back"
by the Jackson 5 (Hitsville U.S.A., 1959-71, Motown box 3746363122)
.The
SubSonic 1 rarely gave up on any bass line with which I was presented."
Bass response was solid down to about 30 Hz.,
"Imaging on many recordings was a major treat
with the PSB's, and was always very natural. "Birdland" by the Manhattan
Transfer is a left-right soundstaging test. The PSBs nicely defined
the position of each of the four voices
.On the sound spectacular,
Stokowski's transcription of Bach's "Little" Fugue in G Minor
(The Fantastic Stokowski, Cincinnati Pops, Erich Kunzel,
Telarc CD-8038, the overall sound was nothing less than spectacular;
imaging was excellent with both good depth and breadth, and the
tonal balance was very, very good.
"My current champ on pop music soundstaging,
however, is a Country music album by The Wilkinsons: Nothing
But Love, (Giant 9 24699-2). This is a wonderfully recorded
pop disc. On their recent hit, "26 Cents" through the PSB Alpha
system, lead singer Amanda Wilkinson is out front, with brother
Tyler and father Steve just behind and to either side. Their backing
instruments fan out on either side of, and slightly behind, the
vocalists, while the drum set is behind Amanda. And the drum set
is not eight feet wide either. The PSBs acquitted themselves beautifully
on this entire recording."
"In all, the Alpha A/V SubSonic 1 combination
is a truly $ensible choice. It as excellent performance in many
areas and, as I noted at the top of the review, it is a terrific
value."
"Another side of the "value": the powered
subwoofer means you can use the PSB combination with a modestly
powered receiver, such as the 25-watt/channel NAD 712 ($399) and
get truly room-filling sound. (I did it and was mightily satisfied
the 712 never became hot, even at relatively high volume
levels.)
"I'm talking exceptional bang for the buck! Take some
favorite recordings to your PSB dealer and check out this combination
you'll enjoy yourself!"
Moon unfortunately had little time to assay the Alpha Minis, but
definitely liked what he heard:
"The Minis acquitted themselves very well
they
turn out amazingly good sound
.For relatively dinky boxes containing
equally dinky woofers, their apparent bass response was outstanding.
And when fed with good-quality FM audio, their sound was very pleasing."
Info on the Alpha Series
Info on the Alpha SubSonic 1.
"I loved this system."
Tom Nousaine, Video Magazine, September 1998
Over a month's span, three reviews of the Alpha Home Theater System
(built around the Alpha A/Vs up front, with Alpha Minis as surrounds,
an Alpha Midi as center-channel, and an Alpha SubSonic 1 subwoofer)
have appeared.. The first two excerpted below are from Home Theater
publications, and the third is from Stereo Review.. Let's
start with:
Tom Nousaine in the September issue of Video Magazine
Tom Nousaine is one of the closest listeners and straight-to-the-point
reviewers out there. So we have to be delighted that he loves the
Alpha Home Theater System.
His review begins this way:
"The PSB Alpha has long been regarded as the
archetypal small, inexpensive, good-sounding speaker. In fact, so
small, inexpensive, and good-sounding was the Alpha that I started
preaching to my friends that a quintet of them would also make an
excellent option for assembling an entry-level home theater. In the
intervening time period between when I started dispensing advice about
the Alpha (in shopping centers, and gas station mini-marts Š to anyone
who would listen) and the present, PSB has updated the speaker and
expanded it into the Alpha family, a line of speakers designed for
home theater. My prophesy has been fulfilled.
"The system I tested featured a pair of Alpha
A/Vs for the mains, a pair of Minis for the surrounds, a Midi center
and a SubSonic 1 subwoofer. All totaled system cost was $1006[US].
Using Minis all around would drop the cost to $956, while using an
all-Alpha A/V system would raise it to $1,056."
Nousaine is clearly impressed with the performance of the Alpha A/Vs.
After noting that all of the Alpha Series' wide-range speakers are
"engineered for excellent on- and off-axis performance",
he has this to say about the Alpha A/V:
"During the course of my measurements, the Alpha
A/V proved to be particularly remarkable in this respect. With a half
power point of 78 Hz (measured anechoically), the A/V didn't reveal
super-deep bass, but from 78 Hz to 20,000 Hz response fit within a
plus or minus 3 dB window on-axis. Off-axis, it measured even better.
At 30 degrees tolerance tightened up to plus or minus 2.8 dB up to
16,700 Hz, and at 60 degrees it maintained a 3.1 dB tolerance up to
10,000 Hz. Such good off-axis numbers mean that the A/Vs will sound
clean and detailed at any listening position and angle a level
of performance seldom found in even the most expensive speakers.
"The Mini's measured performance wasn't quite
as good as the A/Vs, but was impressive in its own right....When measured
from the side position of a surround position speaker, the Mini produced
a sound field that fit in a plus or minus 4.1 dB window from 97 Hz
to 13,000 Hz over a 120-degree arc in front of the speaker. This level
of spectral performance indicates that reflected sound will retain
the timbre of the signal as it was originally launched from the speaker."
Nousaine preferred to stand the Alpha Midi center channel vertically
rather than in its usual horizontal mode: "Standing
a bit over 10 inches, it may look funny on top of your TV, but it
will share the outstanding timbre characteristics of the Alpha and
the Mini."
Turning to the Alpha SubSonic 1, he found that while it didn't have
the output of expensive subs, it did very well for its size and price.
"Although the sub produced a respectable 30
Hz extension in my very large listening room, one could expect to
hit approximately 24 Hz in a smaller room....The limiting circuit
is a good idea. It prevents damage to the sub by providing an audible
alert when the speaker is being overdriven."
Listening to the system on movies and music, he had this to say:
"Dialogue on movie soundtracks came across as
clear as balanced, and when listening to music with my Lexicon DC-1
processor's music surround mode engaged, acoustic instruments had
a natural quality that was good enough to make me believe I was in
an actual concert hall.
"The same 'natural' quality characterized the
Mini's performance with ambience and surround effects on film soundtracks.
The system's overall spatial performance too was very good.
"BOTTOM LINE I LOVED THE PSB ALPHA A/V system.
It's inexpensive and at reasonable volume levels performs as well
as speaker packages costing thousands of dollars more."
Review on "Secrets of Home Theater" Website
John E. Johnson, Jr., editor and publisher of the Secrets of Home
Theater website, also reviewed the Alpha Series system in the
webzine's August edition. He was equally enthusiastic, beginning with
his original introduction to the Alpha.
"At one of the Las Vegas Consumer Electronics
Shows (CES) several years ago, I walked into a room that had great
sound with nice tight bass, but I could not see any speakers looming
anywhere. I turned to see a very small bookshelf speaker sitting on
a stand next to a curtain. The curtain was shaking with all the air
that was being moved. I marveled at the sound quality, and was shocked
to find that they were only $199/pair. These were the PSB Alpha speakers
designed by Paul Barton, in Canada, and they were an immediate, and
smashing, success.
"Since that time, PSB has expanded to include
other models in the Alpha line as well as the popular Stratus series
and several powered subwoofers.We have received numerous requests
to review PSB speakers, and do so here not only willingly but with
great enthusiasm....Total system price for a surround sound package
[Alpha A/Vs, Alpha Minis, Alpha Midi, Alpha SubSonic 1] would be slightly
over $1,000 if the top models of the speakers that were sent to us
were used. That is what I call affordable!"
After describing the process of Alpha design by Paul Barton at the
National Research Council, and detailing the connection configurations
of the speakers, Johnson gets into listening results with music
first:
"The Alpha standard monitors and Minis both
sounded very transparent, with a sligtly laid back high end. Naturally
the Minis had slightly less bass than the standard monitors. The Alpha
SubSonic 1 was a perfect match for the monitors, and I finally settled
on a crossover setting (low pass) of 60 Hz Otherwise the subwoofer
became boomy as the crossover setting approached 90 Hz. The 60 Hz
setting allowed for the overlap between the rolloff of speakers and
subwoofer to balance just right."
And on to home theater listening:
"I was quite surprised at how good these speakers
sound, even with tough material like "Terminator 2," which has spectacular
sound effects. The Midi center channel speaker was clear, and did
not have chestiness. At this price ($119[US]), the Midi is one of
the best center channel speakers I have heard....I tried the standard
monitors in front and rear, and a set of standards in front with Minis
in the rear. I preferred the standard monitors all the way around
As with the stereo tests, the standard monitors were capable of more
SPL than the minis. Yet both had a natural sound with no chestiness.
Again, the SubSonic 1 was a perfect match for either of these monitors.
"The maximum excursion of the subwoofer at 25
Hz and 1 meter was 3/4" peak-to-peak. That is really quite a bit,
and I could not hear much harmonic distortion until the amp went into
obvious clipping. All in all, the SubSonic 1 has an extremely respectable
performance for a <$500 subwoofer. Although the amplifier is rated
at only 65 watts into the 4 ohm load, it sounded like a lot more.
Must be the 300 watt peak capability!
"In summary, the PSB Alpha Series is still one
of the best values in sound for small system stereo and home theater.
A set of Minis and the SubSonic 1 would be perfect system for college
dormitories, while the standard monitors plus a Midi and SubSonic
1 would be a great little system for just about anyone who wants to
get into home theater but does not wish to break their bank accounts."
For the full review, see http://www.hometheaterhifi.com/volume_5_3/psbalphaspeakers.html.
Ken C. Pohlmann's Review in September Stereo Review
Ken Pohlman's wasn't a happy reviewer before he sat down to listen
to and measure the Alpha Series . We had sent his review speakers
to the wrong address, and he had to transport them in the heat of
Miami summer. We had also sent him two more speakers than he'd asked
for (wanting to give the option of reviewing an all A/V system or
an A/V-Mini mix), increasing his efforts further. So some apologies
were in order, and we echo them here. (We're also sending him a PSB
shirt to replace the shirt he ruined carrying multiple speakers around.)
When Pohlmann started his review process, his annoyance quickly abated:
"The company has long enjoyed a reputation for
excellent speakers, especially among 'insiders.' On the premise that
anyone can make great-sounding expensive speakers but only the best
companies can make great-sounding inexpensive ones, I decided
to test a PSB home-theater system selling for just over a grand."
After calling the original Alpha "a bona
fide classic," and describing the various models (A/V,
Mini, Midi, SubSonic 1) in the review system, Pohlmann gets to his
first listening reactions on Home Theater material. On Desperado's
explosions, he found the SubSonic 1's "room
shaking ability was less than some other [presumably more expensive]
subs I've auditioned, but its output as clean at normal listening
levels. I appreciated the adjustable low-pass filter, which let me
dial in just the right blend with the satellites (a frequency of about
70 Hz in my room). Overall, if you're looking for raw sonic fury,
this sub is a bit tame, but it's very capable at less than all-out
levels.
"Next I screened the moody, sexy and violent
Bound. Its soundtrack creates a realistic sense of interior,
with ambience around the dialogue and portentous sounds like dripping
water. I was impressed; the Alphas sounded extremely crisp and realistic,
supporting every nuance of this playfully tense drama. Off-screen
images seemed to be accurately placed, and the dialogue was crystal
clear. I was also pleased with how accurately the Alphas reproduced
the film score.
"I was generally impressed with the little PSB
Alphas," Pohlmann declared. While he felt they didn't compete
at very high volumes with massive speakers on massive musical scores,
he found plenty to like:
"I appreciated that all of the satellites use
the same tweeter, which insures well-matched timbres above 3 or 4
kHz. Moreover, the high end was quite smooth....All of these speakers
play loud for their size and maintain an accurate tonality up till
the bitter end. Finally, the conservative nature of the SubSonic is
a plus when playing music. It handled the low-frequency content in
Madonna's Ray of Light album really well. Some subwoofers get
very thumpy with this CD, but it stayed musical."
His summation:
"I can forgive the mistake in my address. The
company is busy making speakers that are several notches above the
norm
I even forgive them for including all that extra gear. When you build
excellent equipment that delivers a very solid bang for the buck,
you're naturally proud of your work and want to show it off.
In fact, I liked these speakers so much that I won't even bill PSB
for my ruined shirt."
Info on Home Theater
Info on Home Theater Packages
Corey Greenberg Takes A Look at The Alpha Series
in Audio
In the June issue of Audio, columnist Corey Greenberg reviews
the Alpha Series both as a Home Theater system and as music reproducers,
with particular focus on the Alpha A/V, Alpha Mini, and Alpha SubSonic
1. Here are some excerpts.
Though not one of the bigger fans of the original Alpha, he notes
nonetheless that "its combination of smiley-face
sonics and smiley-face price firmly established the little ported
Canuck as a certified hi-fi classic."
"Even though unshielded," he continues,
"the Alpha found its way into enough home theaters
over the years that Paul Barton decided it was time to create an entire
line of Alphas especially for surround sound….The new surround-minded
Alpha satellites all have shielded, poly-coated paper woofers and
half-inch poly dome tweeters said to offer smoother response than
the original Alpha's polypropylene woofer and older tweeter. PSB further
claims enough tone-cloning across the line that a seamless sonic match
can be realized from any mix of these speakers."
In his initial description of the new models and their price levels,
he dwells particularly on the Alpha Midi: "The
Alpha Midi center channel is essentially an Alpha Mini tipped over
on its side, with a bit of response tailoring to compensate for TV-top
placement….I've tried tipping over other minispeakers to make a "hillbilly
center channel," but they've never sounded very good that way: The
timbre changed too radically when the speaker was on its side, which
made for a lousy match to the main pair. But the response tailoring
in the Midi lets its sound just like the Minis, making for a seamless,
coherent spread across the front."
After describing the electronics and program sources he used for his
listening tests, he then gets down to performance basics on the other
Alphas, starting with the A/V:
"Whether I listened to music or movies, it was
obvious that the new Alpha A/Vs are a cut above the originals. The
older Alpha's smiley-face response curve has been replaced with more
of a Mona Lisa flat line. The midrange is considerably smoother, and
the new tweeter endows the A/V with a cleaner and more sophisticated
high end….held within its limits, this is a much more refined and
neutral speaker than the original."
But his personal favorite is the Alpha Mini: "It's
got a hair less bass, but what you gain is a livelier and more detailed
midrange. Vocals, especially, sound much more natural and coherent."
"Of course, using the Alpha SubSonic 1 subwoofer
to handle frequencies below 100 Hz largely moots any low-end differences
between the Alpha A/V and the Alpha Mini. I think the SubSonic 1 is
an excellent, budget-priced sub. It has much more slam and finesse
than I would normally expect from an under-$500 subwoofer."
"It was obvious PSB spent some time knitting
this new Alpha line together to work in concert, as seamlessly integrating
the sats with the sub was pretty much a matter of hooking them all
up and dialing in the right amount of woof. Usually I spend a good
hour or so trying to tweeze one of these budget-priced home theater
systems into sonically acceptable shape, but the Alpha rig sounded
good from the get-go."
He was not taken with the sound of the littlest Alpha, the Alpha Mite,
strongly preferring the overall sound and value of the Mini.
His summation:
"For $249/pair, PSB's new Alpha A/V is a successful
update of the original Alpha and a good value. To my ears, the $199/pair
Alpha Mini offers even better sound, and two pairs plus the matching
Alpha Midi center channel and Alpha SubSonic 1 sub cost just $956
[U.S.], making for one of the best under-$1,000 surround setups I've
heard."
Info on the Alpha Series
Alpha-Mini Home Theater (Minis, Mites, Midi,
SubSonic 1)
Gets a Rave Review!
In the Fall 1997 issue of Stereophile Guide to Home Theater,
Laurence B. Johnson offers a comprehensive review of three Home Theater
systems an Alpha-Mini-based system, the Bose Acoustimass 10
System, and the JBL Simply Cinema SCS/20 System. Let's begin with
the review's end:
"The bottom line is this: The PSB setup costs
$374 less than the other two systems under consideration, and sounds
better than either one."
Johnson's comments on our system's performance begins:
"This is PSB's game, and few companies play
it so well. The little PSB Alpha bookshelf system, on which designer
Paul Barton has based the still-smaller speakers in this system, remains
a benchmark for sonic performance in the $200/pair range. But compared
with the shrimp-sized models arrayed herethe Alpha Mini, Alpha
Midi, and Alpha Mitethe namesake of the line seems almost monolithic.
"What has always impressed me most about Paul Barton's speaker designs
(and I have reviewed many of his creations over the years) is their
musicality. He grew up playing the violin and his speakers invariably
display a tempered musical voice. Even within the limits imposed by
the reduced driver sizes and cabinet volumes of the present mix-and-match
systems, that first principle also applies here, and it makes a striking
difference."
The system's Home Theater sonic character (driven by a Denon AVR-5600)
"revealed a warmly voiced, smartly matched array
that responded to stepped-up volume demands by blooming ever larger,
thanks in no small part to the anchoring effect of the PSB SubSonic
1 powered subwoofer. Remarkably compact itself, the SubSonic 1 measures
about 14-1/2 inches on a side and rises just under 12 inches high.
The unit's 10-inch cone driver is supported by a 65W amp. Its response
is rated down to 28 Hz, and a continuously adjustable dial lets you
select the cutoff frequency within a range of 50 to 150 Hz."
Getting into details on the system's sound, Johnson says:
"Although I did use a video monitor for much
of this evaluation, I raised the ante a bit for the PSB array. Cueing
up Good Morning, Vietnam, a masterful soundtrack that
I know almost by heart, I turned off the television and tracked the
sonic landscape, so to speaka patrol-boat motor rumbling to
the energizing pulse of '60s rock, Robin Williams plunging through
the streets on a tireless bike in pursuit of his Miss Saigon, the
hysterical "English class" in which Williams teaches his Vietnamese
pupils the language of big-city streets.
"And music? It was all music. I was plenty charmed even
before turning to Mozart, and even more convinced afterward."
If you would like to read the full comparative review, the Fall 1997
Stereophile Guide to Home Theater is well worth retrieving.
And of course we urge you to a visit a PSB dealer, listen to the combination,
and see why Johnson, in talking about the other systems' musical performance,
said:
"Both were eclipsed by the PSB."
More information on the Alpha Series here.
Platinum Series Reviews
Stratus Series Reviews
Image Series Reviews
Alpha Series Reviews
Century Series Reviews
Home | Speakers Index
| OverView | What's
New | Awards | Reviews
| Dealer Locator
Anniversary Timeline | Guestbook
| Warranty Registration | Terms
of Use | Image Protection
|