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SubZeroi Sound & Vision
Alpha B Kevin Hunt
Alpha Intros Sound & Vision
Alpha Intros Audio Ideas Guider
All-Out Alpha System Home Theater
NAD/PSB combo Stereophile
Alpha Home Theater System Harford Courant
Alpha Series The $ensible Sound
3 Alpha Home Theater Video Magazine
Alpha Series Audio
Alpha-Mini Home Theater Stereophile Guide to Home Theater
Links To Other Recent Reviews


Reviews


The Alpha Series
 
PSB Subzeroi

"The most wallet-friendly sub in this batch, the SubZeroi breaks out of the typical cube to assume more speaker-like proportions. The front mounted level and crossover controls are useful if you like to tailor the sound for each movie or if you just don’t want to have to move the sub out of position to make adjustments. And a toggle switch lets you bypass the crossover if you’d rather handle that function through your preamp or receiver. I had little trouble integrating the PSB sub with my satellite speakers.

The SubZeroi did an excellent job with soft jazz and rock tunes. It might seem strange to talk about imaging and mid-rangey things like vocals and trumpets in the same breath as a subwoofer, but the upper end of a sub’s range can reach into the lower end of a voice’s or instrument’s range. And a sub that can’t put out sufficient deep bass can cause the tonal balance of the entire system to shift upward by putting the emphasis on the middle and upper frequencies at higher listening levels.

At normal listening levels, the PSB sub got the tonal balance just about right, helping to keep the vocals and instruments clearly placed and stable....

In general, the PSB offers better-than-average output for its price class.... There was no “chuffing”, however, or any of the other overload annoyances that are sometimes heard with ported speakers.

The SubZeroi managed to make it down to a convincing 32 Hz – which is probably low enough for modest home theater setups. You can’t help but admire a product that knows its limits and faithfully observes them."

 
Kevin Hunt Praises the Alpha B
Kevin Hunt, whose column on audio and video is syndicated throughout the United States, has always had good things to say about the Alpha Series. So we were glad when he decided to look and listen to the new Alphas, with emphasis on the Alpha B. Here are excerpts from his review:

"You say you want a revolution? How about home theater, which is changing the shape and sound of loudspeakers?

"Let's get out the yardstick: Loudspeakers are getting smaller. Let's get out the scale: They're getting lighter. Let's get out the binoculars: They blend so well with modern ˇcord that they're often barely visible.

"No speaker I've seen in the past year more dramatically illustrates the home-theater influence on loudspeaker design than the PSB Alpha B. It's the latest version of a speaker that arrived 10 years ago as a groundbreaking, if clunky-looking, combination of performance and value in a '90s vision of the compact speaker.

"Paul Barton, the founder or and chief designer for PSB — that's PSB as in Paul and wife Sue Barton — of Pickering, Ontario, upgraded the [original] Alpha with an Alpha A/V, for Audio/Video, concoction. The speaker was magnetically shielded for use near a television set, but it retained its basic shape and smooth tonal balance. The look was stuck in the early '90s.

"For the Alpha B, as in Alpha Bookshelf, Barton retreated to Canada's National Research Council and its anechoic chamber, measurement laboratory, and listening rooms. He emerged with a smaller, more lively speaker with increased high-frequency energy. He completed the overhaul with a cosmetic makeover that included a black metal grille and plastic front baffle and rear panel adjoining walls of medium-density fiberboard finished in black or distinctive light cherry vinyl. The rear panel has both a keyhole slot and pair of quarter-inch brass inserts for mounting in a home theater. Barton changed everything about this Alpha except the family name."

"To get that 'being-there' sensation, a home theater speaker requires a lively top end. So Barton replaced the half-inch soft-dome tweeter with a 3/4-inch aluminum-dome tweeter for better high-frequency response/ Previous Alphas were more laid-back, a desired characteristic back in the '90s, especially with the excessive brightness of some early digital recordings. The Alpha B's sonic presentation is forward enough for DVD soundtracks but not too forward for today's CDs.

"With less room inside the cabinet, Barton replaced the 6-1/2-inch bass driver with a smaller (5-3/4 inches) driver made of a more rigid substance, polypropylene. Because it has a smaller driver in a smaller box, the new Alpha B maybe doesn't play quite as loud as its predecessors, but it doesn't have to. Its rigidity allows it to reach high volume levels without distortion, and, when paired with a subwoofer, its limited low-frequency response is a non-issue.

"Barton probably wouldn't have dreamed of such a speaker 10 years ago. In those days, a speaker was a speaker. Now a speaker is a home-theater speaker, which means it's used in a system with four other speakers and a subwoofer. The subwoofer takes care of low-frequency signals….The meat of the soundtrack, the dialogue, belongs to the center speaker. The Alpha C, for Center, is an elongated Alpha B, with a second bass driver added."

"I've been listening to a complete PSB home theater system with two pairs of Alpha B [$249 a pair], an Alpha C ($229), and an Alpha SubSonic 5 ($449) — a powered subwoofer with a 65-watt amplifier and 10-inch driver — that retails for less than $1,200. (A tiny Alpha Intro system that looks like an Alpha system left too long in the dryer is available for about $850.)

"If the new Alpha B were merely a smaller, and prettier, speaker than its predecessors, it would have been a notable addition to the modern home theater. But PSB has updated the sound, too, while keeping the Alphas in the bargain-price range. Value is the only thing that hasn't changed in the Alpha family."



 
"If you demand honest home theater sound from an elegantly tiny array of speakers, this is one of the better examples I've encountered."

Sound & Vision Reviews our Small but Ambitious 
Alpha Intro Home Theater System.

In the January 2001 issue of Sound & Vision provides an encouraging review of our smallest home theater system, combining four Alpha Intro LRs for main and surround speakers, an Alpha Intro CLR as center channel, and an Alpha SubZero. (Also see Andrew Marshall's glowing review of various mixtures of LRs and CLRs, linkable from the end of the review below.) Here are some excerpts from Daniel Kumin's review:

"The latest additions to PSB's well-regarded Alpha family of speakers are consistent with the Canadian maker's reputation for technically solid engineering and high value. The Alpha Intro speakers are strikingly simple, showing no effort to make them look like more of less than they are. I like that. And they're priced so a complete [surround] system can cost less than $900 (depending on the sub you choose). I like that too."

"For our test system, PSB matched the Intro satellites with its smallest and least expensive subwoofer, the Alpha SubZero. It's surprisingly effective for a sub with an 8-inch driver."

"Compared with my reference small speaker systems [at a cost per stereo pair that's almost three times as much as the entire Intro surround system] the front Intro LRs sounded very good indeed, with just a slight touch of midrange dryness…"

"The diminutive SubZero went considerably lower into the bass, and with more oomph, than I expected. It had plenty of depth for most pop music or jazz (not including hip-hop or techno synth-bass), giving enough weight and an accurate overall balance…The little sub sounded fairly smooth too…"

"The Alpha Intro system did an excellent job reproducing the very low-level Foley effects and whispered dialogue in Gods and Monsters with fine clarity and intelligibility. Front-to-side imaging was first-rate, yielding smooth pans and stable virtual locations for sound sources falling between speakers. Discrete rear surround effects sounded fine as well, although — as I had expected — the direct-radiating Intro LR surrounds tended to localize effects more than dipole surrounds generally do. Ambience reproduction was good."

"If you demand honest home theater sound from an elegantly tiny array of speakers, this is one of the better examples I've encountered."

Info on the Alpha Intros


 
"The bottom line is that the PSB Alpha Intro system pretty much kills the competition in its price range and above."

Audio Ideas Guide Reviews the Alpha Intros - LR and CLR

In the Winter (Issue #136) edition of Canada's Audio Ideas Guide audio veteran Andrew Marshall has some very laudatory things to say about our new Alpha Intros. Some excerpts below:

"These new Intro models from PSB are made in China, with drivers personally designed by Paul Barton. It's still not often that you find an aluminum-dome tweeter at this price, and here it's mated with one (LR) or two (CLR) 3-1/2" poly-coned woofer/midrange(s)."

"And how does this extremely compact system perform? Well, I still look at the Intro measurements, weeks after making them, with some amazement. One might expect such linear results in an expensive compact system...but on paper the Intro system is notably superior..."

"Let's look at the LR's PNS (Pink Noise Sweep) and SAR (Summed Axial Response), which almost perfectly overlay except at the highest frequencies, and even that's a good thing because it indicates in the SAR well controlled high-frequency dispersion. But looking across the range, we see an under-$300 speaker [under $200 in the US] that is +/- 1.5 dB from 150 Hz to 10,000 Hz in the PNS. That's phenomenal at any price, let alone in a Chinese-made ultra budget model!

"Even the unsmoothed quasi-anechoic measurement is exceptionally linear, while the axial curves beneath it show a little lobing off axis but very good response through the midrange...Pink Noise Sweeps at 0, 15, and 30 degrees off axis for the CLR ...show it to be very smooth on all axes, and impressively free of the midrange dip that troubles most centre channels that flnak the tweeter with the bass/mid drivers. In other words, this is a centre channel that promises clear articulation of dialogue at both ends of the couch. The CLE is also a speaker that is plausible in 5s, just as the LR could easily be used as a centre channel in addition to all around. In the former case, you'll get better power handling with the additional drivers, while in the latter you achieve perfect timbre matching, though the match of the two sibling speakers is near perfect, anyway."

"The impedance and phase curves for both Intro models are quite benign...midrange phase angles are also quite mild, making this system quite easy to drive. The small enclosures and front baffles should also contribute to very coherent sound from point sources, which translates into good imaging.

"With spectacular measurements like these, you'd expect good sound, though the Intro system did not exhibit quite the resolution of some more expensive speakers...But the well controlled directivity resulted in excellent imaging all around, with just a bit of midrange emphasis, and excellent clarity on dialogue from the centre channel. The system also had good depth from its point source imaging.

"I guess I'm being conservative in saying these things, because we're comparing this inexpensive system to much more costly competition. The bottom line is that the PSB Alpha Intro system pretty much kills the competition in its price range and above. Both the LR and CLR could be the cornerstones of a really good home theatre system, the latter offering greater dynamics all around, while both, in 5s, provide near perfect timbral matching. They're both handsome, able to hide in shelves or hang on walls, and finally, they are that audiophile oxymoron, compact home theatre speakers that deliver true high fidelity sound quality. And they do it for $1,100 ($900 in the US), including the SubZero sub!"

Info on the Alpha Intros


 
Home Theater Reviews the All-Out Alpha System

In the June 2000 issue of Home Theater, Kevin Hunt gives our All-Out Alpha Home Theater system (Alpha A/Vs up front, Alpha Minis as surrounds, Alpha Center in the center, and Alpha SubSonic 5 subwoofer) a rave review. Here are some details:

"The Alpha has evolved since 1991, Darwinian-style, from a benchmark in sub-$200 monitors during the two-channel era into a family of small, smaller, and smallest Alphas designed for home theater."

"Designer Paul Barton, who started PSB speakers in 1972 between his high school graduation and his first year at the University of Waterloo in Ontario, Canada, continues to keep the Alpha current. In 1996, he redesigned the speaker for a surround sound system, adding magnetic shielding and a new woofer (6-inch poly-coated fiber cone) and tweeter (1/2-inch ferrofluid-cooled poly-flare dome). Labeled the Alpha-A/V, this new speaker joined the Alpha Mini, the tiny Alpha Mite, the Alpha Midi center channel, and two SubSonic subwoofers in the family Alpha.

"More recently, Barton has designed a bigger center-channel speaker, the Alpha Center, and re-engineered both subwoofers. The system reviewed here features the Alpha Center, the SubSonic 5 (which replaced the superb SubSonic 1), Alpha-A/Vs for the front channels, and Alpha Minis in the rear. It retails for a shade over $1,000 — and it's not even PSB's bargain-basement system. That would be four Mites, a Midi center channel, and the SubZero subwoofer for about $750.

"PSB has brought to home theater the same principles that distinguished the Alpha in its two-channel incarnation. PSB loudspeakers from the Mite to the flagship Stratus Gold-I, have enormous sonic integrity, characterized by Barton's three pillars of design: a smooth tonal balance, accurate imaging, and extended frequency response. The Alpha-A/Vs play remarkably loud without strain, perhaps unparalleled in the small-fry division.

"Many credit Barton's music background — he has played violin much of his life — for achieving natural sound, even in low-priced, small speakers. It probably doesn't hurt, but PSB's success is more likely owed to Barton's good ears and considerable work since 1974 at Canada's National Research Council in Ottawa. Barton was the first Canadian designer to use the NRC; he says he's still there one week out of every six — in their anechoic chamber, measurements laboratory, and two listening rooms. It's no coincidence that, thanks to the NRC, Canada puts out some of the best and most economical speakers in the world…

"PSB stands for granite-solid bass and a smooth, nonfatiguing upper frequency. The original Stratus Gold was the last word in bass response for a $2,000 speaker. Unfortunately, it was also a bit unwieldy…(The new, slimmed-down Gold-I must've gone through the Jenny Craig crash course.)"

"Because of the Alpha's distinguished history and my experience with the Stratus Golds, I knew I wouldn't have to worry about music production. But what started as a brief, all-Canadian salute to break in the PSBs — from Diana Krall to DD. Jackson to Ron Sexsmith — ended up as an anything-goes, up-all-night (to 3AM, at least) listening session. The Alpha-A/V sings just like its predecessor… Everything comes together when your listening position is lined up within an inch of the tweeter's height. You'll get a huge soundstage but not quite the depth and ultra-precise imaging of those snobbish, high-priced monitors. So keep the Alpha-A/Vs at least 2 feet off the floor (PSB sells stands for this purpose) and fairly close to the rear wall for the best bass response.

"The Alpha Center is a significant upgrade over the Midi, which is essentially a Midi turned on it side. The two woofers create wider horizontal dispersion and greater clarity. I tried to trick the Center by playing Pink Floyd's The Wall, the movie that's not a movie (there's no dialogue), yet it showed how well it matched the rest of the Alpha system. It did what it was asked to do musically."

"The Alpha system passed my "quiet movie" test, in which dialogue and atmosphere rule over explosive action. It presented The Sweet Hereafter, Atom Egoyan's bus-plunge downer, in all its dreary quietude and never betrayed the stillness…

"The Alphas also sped through a special-effects obstacle course of assorted James Bond films and the wicked (but sadly overlooked) Dark City — one of the great science-fiction movies of recent years. The SubSonic 5 was perhaps the biggest surprise in the Alpha system. In most cases, the subwoofer is the weakest part of any budget surround system. Let's just say that the SubSonic 5 is the Alpha of sub-$500 subwoofers."

"Granted, the original Alpha no longer stands by itself…But let's see how many speakers can match the Alpha-A/Vs sound quality and ability to remain coherent even at the highest volume levels required by home theater."

"I also tried moving the A/Vs into a two-channel system with a pair of Golden Tube SE-40 amplifiers, an EAR 834L preamp, and a Rega Planet CD player in a 27-by-12-foot space. The sound filled the room, easily matching the much larger speakers they replaced, the MartinLogan Aerius 1.

"So don't dismiss the Alpha ensemble as a budget system. You can build a monster home theater — and a sweet-sounding music system — around it. Take all the extra money you were going to spend on loudspeakers and invest in better electronics, an even better big-screen TV, or a second subwoofer. Only the strong survive home theater. And PSB, as ever, remains one of the strongest."

Info on the Alpha Home Theater Systems



 
NAD/PSB Combination Gets A Rave Review

In the June 2000 issue of Stereophile, Chip Stern reviews an expanded version of the NAD Music system, combining NAD's L40 CD receiver, our Alpha Mini speakers, our potent Alpha SubSonic 5 subwoofer. And he very much likes what he hears. Here are some excerpts, beginning with how he views the real function of good audio components.

"The spiritual experience of immersion in music remains paramount for me, and anything that deepens such encounters or makes them more involving motivates me to reach out to my fellow music-lovers, to help them find a viable synergy of their own."

"Listening to the elitists, one might conclude that it's all a matter of how much money you can spend, and since you will never be able to afford it, why bother? Or you might buy into the naysayers' disclaimers that that the audible differences audiophiles claim to discern are largely illusory, and any old combination of stuff that specs the same will sound the same. Besides, we've already proved we can deceive your senses in blind tests — so why bother trusting your ears or making long-term investments in quality components?

"The bottom line is that high-performance audio isn't simply synonymous with "expensive — it's supposed to be fun. Are we suggesting that a sub-$2,000 system can sound as good as a $20,000 system? Not hardly. But in the real world, where budgetary and space limitations are the rule, we often find ourselves reaching our in frustration to aural initiates, spirit to spirit, eager to perform good works so that they can enjoy a level of involvement commensurate with what we routinely experience in our carefully crafted aural nirvanas...reduced in depth of scale, perhaps, but not in absolute quality of musical resolution.

Outlining how he became interested in the NAD/PSB combination at Hi-Fi '99 in Chicago, Stern talks about what it does and how friends of his consistently were amazed by the system, and invariably called it "really good!."

"'Really good,' as in: if my house burned down tomorrow, if I had to suddenly liquidate all my belongings, if my wife threatened to leave me if I didn't get rid of all the boxes in the hallway, I could live with this. 'Really good, as in: This is fun. 'Really good,' as in I'm going to buy one for me and another for my mom."

Stern then gets into the specifics of how the Alpha Minis and the Alpha SubSonic 5 mate and enhance each other:

"As the Alpha Mini's frequency response is rated at 68Hz-21kHz, I generally crossed over to the SubSonic 5 at around 70Hz (using the L40's pre-outs for the best integration between subwoofer and satellites, though this leaves the latter running full range.) Listening in the nearfield, I was struck by how profoundly the subwoofer opened up the soundstaging and focused images, letting the sweet, open, full-sounding Alpha Minis strut their stuff. Yet as often as not I would turn the sub off and spend whole afternoons at the computer, immersed in the Alpha Mini's clear, holographic, non-fatiguing sound — so musical, so inexpensive.

"No, sports fans, 68Hz isn't terribly low, but the manner in which a speaker goes down is more critical than how deeply it can bellow. The Alpha Mini's bass extension was so tight and linear, its harmonics and overtones so dead on, that I found myself filling in the missing bass fundamentals using my own onboard psychoacoustic bio-aural octave-x-citer. Don't have one? Come now, check your original warranty."

"This is where folks who want to fill a room with sound will appreciate the cost-effective attributes of the quick, articulate Alpha SubSonic 5, which PSB claims is capable of 150W dynamic power in a 10" bass-reflex system. It was the speed and focus of the old SubSonic 1 that had originally impressed me. That little sub could deliver larger-than-life effects, but I was more impressed by its ability to add depth to the foundation of the overall soundstage, and to 'disappear' in the process.

"For the same money, the new SubSonic 5 offered more dynamic control and articulation. On The Artist's proto-funk recordings I was able to push the leading edge of bass transients harder than I could with the SubSonic 1 without the SubSonic 5 blurring, self-limiting, or compressing the entire soundstage. Yet on a vocal performance like Ella Fitzgerald's romp through Nilsson's "Open Your Window" (from Ella Fitzgerald in Budapest, Pablo PACD-5308-2), the SubSonic 1 helped snap the soundstage into sharp focus, further articulating her sumptuous phrasing at more modest volume levels. The SubSonic 5 let me hear more live room cues, images were rendered with greater detail and stability, and the whole system was more revealing."

Stern's conclusions:

"The NAD L40/Alpha Mini/SubSonic 5 is everything a high-end system should be: clear, open, detailed, articulate, accurate, stable, textured, musical, involving, and eminently affordable — all at a price that will encourage even the most budget-conscious music lovers to invest in their first high-end system, while seasoned campaigners contemplate just how involving the sound might be in their kitchens, studies, bedrooms, and summer houses.

"So why tarry, aural pilgrims? The price is right and this is fun."

More Info on the SubSonic 5 and on the Alpha Minis



 
"PSB Alpha speakers have evolved from audio legend to home-theater-legend-in-waiting."

Praise for Alpha Home Theater

In his column in the Harford Courant, syndicated nationwide and posted on the web at ctnow.com, Kevin Hunt has taken an enthusiastic look at our All-Out Alpha Home Theater System, consisting of Alpha A/Vs up front, Alpha Minis as surrounds, an Alpha Center as center-channel, and the Alpha SubSonic 5. Here is what he had to say:

"Loudspeakers are the 5.1 most important decisions you'll make when putting together a home theater. A few wrong moves could leave you knee-deep in little boxes made of vinyl-coated fiberboard that sound like a flock of Canada geese. We all know how distasteful that can be.

"Because of the number of speakers — two front, a center, two rear, and a subwoofer, the 'point-one' channel in Dolby Digital designation — it's hard to avoid getting stuck with a [terrible] home theater on a budget of $1,000 or less. You'll find something that will rattle the timbers with a soundtrack laden with special effects, certainly. But what happens when those speakers cannot hide behind a thunderclap? Most often, any non-Metallica audio CD will expose your new system as a lightweight.

"Few budget speakers get it right on both movies and music. To find some that do, look to the north. Keep looking, over the border and into Pickering, Ontario, where PSB Alpha speakers have evolved from audio legend to home-theater-legend-in-waiting. The Alpha, introduced as a sub-$200 [pair] bookshelf speaker in 1991, now preside over an entire family of home-theater Alphas, from the Mite, the Mini, and Midi (a smaller center-channel speaker) to the SubZero and SubSonic 5 subwoofers.

"Paul Barton has the requisite qualifications of a top loudspeaker designer. He's a longstanding audio nut who started the company in 1972, between his high school graduation and his first year at the University of Waterloo. He's also a musician, having played violin most of his life. Barton was the first designer to take advantage of Canada's National Research Council, with its anechoic chamber (with surfaces that fully absorb sound), measurements laboratory, and listening rooms. He started work at the NRC in 1974 and says he still spends one of every six workweeks there.

"As more designers used the NRC facilities, Canada entered a golden age of loudspeakers…supplying some of the world's best, and best bargains.

"Paul has updated the Alphas for the 2000s while preserving characteristics of the original Alpha: smooth tonal balance, accurate imaging, and extended frequency response. I've been listening to an all-Alpha system with the Alphas up front, the Alpha Center, the Alpha Minis in the rear, and a SubSonic 5 subwoofer. The system retails for $1,066 [in the US], which is bargain-basement territory in home theater.

"The Alpha is a classic bookshelf design, only 13 inches high, 8 wide, and 10 deep. The Mini is essentially the same speaker in a slightly smaller package [with a smaller woofer]. The Alpha Center shares the same tweeter as the Alpha and the Mini. It uses two 4-1/2-inch woofers, identical to the one used in the Mite. Speakers that share many critical components ensure a system that's well matched tonally.

"As a home theater, a speaker system is only as good as its subwoofer. The SubSonic 5, which features a 10-inch woofer and built-in 65-watt amplifier capable of 220-watt dynamic peaks in a package only 16 inches high, is more than a one-note pony for special effects. The sub also gives CDs added weight without overwhelming the music.

"Most striking about the Alphas, aside from their uncanny smoothness for budget speakers, is their tolerance of loud volumes. Other small speakers gain noticeable, and bothersome, shrillness at higher volumes. The Alphas keep sailing, as if they are much larger speakers.

"There's no room in the average house too big for this Alpha system. If you want home theater in a tiny room, you can Alpha-size it. A system featuring four Mites as front and rear speakers, a Midi center speaker and SubZero subwoofer retails for $756 (US).

"PSB speakers can be hard to find (visit www.PSBspeakers.com or call 888-772-0000), but your search will be rewarded for many years with a superb music system that just happens to be great little home theater."

Info on the Alpha Home Theater Systems



 
"I'm talking exceptional bang for the buck."

The $ensible Sound Reviews The Alpha Series

In the June/July issue of The $ensible Sound, Thom Moon does some thorough listening to the Alpha Series — not in their use in home theater, which Moon isn't set up for, but as musical reproducers for stereo playback. He listens, with obvious pleasure, to the Alpha A/Vs, the Alpha Minis, and the Alpha SubSonic 1. Here are representative highlights of his findings:

"Designer Paul Barton told me that his objective with the original Alpha was to offer a speaker that would fit into any budget and nearly any room. He believes that three characteristics are required of a quality speaker system: Tonal balance:Its sound should be lifelike from octave to octave;" Range: It must convincingly reproduce a wide frequency range and have a wide dynamic range; and Imaging: Instruments and performers must be reproduced in real-life spacing across the soundstage."

"For the Alpha series, he added two more criteria: efficiency and power handling capability, given the wide range of equipment with which the Alphas might be matched.A,

"He's done a good job. I've been listening critically to the Alpha A/V and Alpha SubSonic 1 combination for nearly six months. The Alpha A/Vs are fine small speakers on their own, but they form an even better package when coupled to the Alpha SubSonic 1."

"From the first, I liked the PSBs sound. They did a fine job on acoustic guitar (Lee Ritenhour/Fourplay, Tuck Andress/Tuck & Patti, Gordon Lightfoot, Los Angeles Guitar Quartet, and more) and on most piano (Diana Krall,Claire Martin's pianist, Ronan O'Hara on Satie's Nocturnes 1-5). The sub really kicks in nicely on songs with strong bass/kick drum lines such as "Bali Run" by Fourplay (Warner Bros 9 26656-2) and "Fantasy" by Earth, Wind & Fire (Columbia PC 35647). And it articulates complex bass lines very well…on songs such as "I Want You Back" by the Jackson 5 (Hitsville U.S.A., 1959-71, Motown box 3746363122)….The SubSonic 1 rarely gave up on any bass line with which I was presented." Bass response was solid down to about 30 Hz.,

"Imaging on many recordings was a major treat with the PSB's, and was always very natural. "Birdland" by the Manhattan Transfer is a left-right soundstaging test. The PSBs nicely defined the position of each of the four voices….On the sound spectacular, Stokowski's transcription of Bach's "Little" Fugue in G Minor (The Fantastic Stokowski, Cincinnati Pops, Erich Kunzel, Telarc CD-8038, the overall sound was nothing less than spectacular; imaging was excellent with both good depth and breadth, and the tonal balance was very, very good.

"My current champ on pop music soundstaging, however, is a Country music album by The Wilkinsons: Nothing But Love, (Giant 9 24699-2). This is a wonderfully recorded pop disc. On their recent hit, "26 Cents" through the PSB Alpha system, lead singer Amanda Wilkinson is out front, with brother Tyler and father Steve just behind and to either side. Their backing instruments fan out on either side of, and slightly behind, the vocalists, while the drum set is behind Amanda. And the drum set is not eight feet wide either. The PSBs acquitted themselves beautifully on this entire recording."

"In all, the Alpha A/V SubSonic 1 combination is a truly $ensible choice. It as excellent performance in many areas and, as I noted at the top of the review, it is a terrific value."

"Another side of the "value": the powered subwoofer means you can use the PSB combination with a modestly powered receiver, such as the 25-watt/channel NAD 712 ($399) and get truly room-filling sound. (I did it and was mightily satisfied — the 712 never became hot, even at relatively high volume levels.)…"I'm talking exceptional bang for the buck! Take some favorite recordings to your PSB dealer and check out this combination — you'll enjoy yourself!"

Moon unfortunately had little time to assay the Alpha Minis, but definitely liked what he heard:

"The Minis acquitted themselves very well…they turn out amazingly good sound….For relatively dinky boxes containing equally dinky woofers, their apparent bass response was outstanding. And when fed with good-quality FM audio, their sound was very pleasing."

Info on the Alpha Series
Info on the Alpha SubSonic 1.



 
"I loved this system."
Tom Nousaine, Video Magazine, September 1998

Three Reviews of Alpha Home Theater Systems

Over a month's span, three reviews of the Alpha Home Theater System (built around the Alpha A/Vs up front, with Alpha Minis as surrounds, an Alpha Midi as center-channel, and an Alpha SubSonic 1 subwoofer) have appeared.. The first two excerpted below are from Home Theater publications, and the third is from Stereo Review.. Let's start with:


Tom Nousaine in the September issue of Video Magazine

Tom Nousaine is one of the closest listeners and straight-to-the-point reviewers out there. So we have to be delighted that he loves the Alpha Home Theater System.

His review begins this way:

"The PSB Alpha has long been regarded as the archetypal small, inexpensive, good-sounding speaker. In fact, so small, inexpensive, and good-sounding was the Alpha that I started preaching to my friends that a quintet of them would also make an excellent option for assembling an entry-level home theater. In the intervening time period between when I started dispensing advice about the Alpha (in shopping centers, and gas station mini-marts Š to anyone who would listen) and the present, PSB has updated the speaker and expanded it into the Alpha family, a line of speakers designed for home theater. My prophesy has been fulfilled.

"The system I tested featured a pair of Alpha A/Vs for the mains, a pair of Minis for the surrounds, a Midi center and a SubSonic 1 subwoofer. All totaled system cost was $1006[US]. Using Minis all around would drop the cost to $956, while using an all-Alpha A/V system would raise it to $1,056."

Nousaine is clearly impressed with the performance of the Alpha A/Vs. After noting that all of the Alpha Series' wide-range speakers are "engineered for excellent on- and off-axis performance", he has this to say about the Alpha A/V:

"During the course of my measurements, the Alpha A/V proved to be particularly remarkable in this respect. With a half power point of 78 Hz (measured anechoically), the A/V didn't reveal super-deep bass, but from 78 Hz to 20,000 Hz response fit within a plus or minus 3 dB window on-axis. Off-axis, it measured even better. At 30 degrees tolerance tightened up to plus or minus 2.8 dB up to 16,700 Hz, and at 60 degrees it maintained a 3.1 dB tolerance up to 10,000 Hz. Such good off-axis numbers mean that the A/Vs will sound clean and detailed at any listening position and angle — a level of performance seldom found in even the most expensive speakers.

"The Mini's measured performance wasn't quite as good as the A/Vs, but was impressive in its own right....When measured from the side position of a surround position speaker, the Mini produced a sound field that fit in a plus or minus 4.1 dB window from 97 Hz to 13,000 Hz over a 120-degree arc in front of the speaker. This level of spectral performance indicates that reflected sound will retain the timbre of the signal as it was originally launched from the speaker."

Nousaine preferred to stand the Alpha Midi center channel vertically rather than in its usual horizontal mode: "Standing a bit over 10 inches, it may look funny on top of your TV, but it will share the outstanding timbre characteristics of the Alpha and the Mini."

Turning to the Alpha SubSonic 1, he found that while it didn't have the output of expensive subs, it did very well for its size and price. "Although the sub produced a respectable 30 Hz extension in my very large listening room, one could expect to hit approximately 24 Hz in a smaller room....The limiting circuit is a good idea. It prevents damage to the sub by providing an audible alert when the speaker is being overdriven."

Listening to the system on movies and music, he had this to say:

"Dialogue on movie soundtracks came across as clear as balanced, and when listening to music with my Lexicon DC-1 processor's music surround mode engaged, acoustic instruments had a natural quality that was good enough to make me believe I was in an actual concert hall.

"The same 'natural' quality characterized the Mini's performance with ambience and surround effects on film soundtracks. The system's overall spatial performance too was very good.

"BOTTOM LINE I LOVED THE PSB ALPHA A/V system. It's inexpensive and at reasonable volume levels performs as well as speaker packages costing thousands of dollars more." END OF SECTION


Review on "Secrets of Home Theater" Website

John E. Johnson, Jr., editor and publisher of the Secrets of Home Theater website, also reviewed the Alpha Series system in the webzine's August edition. He was equally enthusiastic, beginning with his original introduction to the Alpha.

"At one of the Las Vegas Consumer Electronics Shows (CES) several years ago, I walked into a room that had great sound with nice tight bass, but I could not see any speakers looming anywhere. I turned to see a very small bookshelf speaker sitting on a stand next to a curtain. The curtain was shaking with all the air that was being moved. I marveled at the sound quality, and was shocked to find that they were only $199/pair. These were the PSB Alpha speakers designed by Paul Barton, in Canada, and they were an immediate, and smashing, success.

"Since that time, PSB has expanded to include other models in the Alpha line as well as the popular Stratus series and several powered subwoofers.We have received numerous requests to review PSB speakers, and do so here not only willingly but with great enthusiasm....Total system price for a surround sound package [Alpha A/Vs, Alpha Minis, Alpha Midi, Alpha SubSonic 1] would be slightly over $1,000 if the top models of the speakers that were sent to us were used. That is what I call affordable!"

After describing the process of Alpha design by Paul Barton at the National Research Council, and detailing the connection configurations of the speakers, Johnson gets into listening results — with music first:

"The Alpha standard monitors and Minis both sounded very transparent, with a sligtly laid back high end. Naturally the Minis had slightly less bass than the standard monitors. The Alpha SubSonic 1 was a perfect match for the monitors, and I finally settled on a crossover setting (low pass) of 60 Hz Otherwise the subwoofer became boomy as the crossover setting approached 90 Hz. The 60 Hz setting allowed for the overlap between the rolloff of speakers and subwoofer to balance just right."

And on to home theater listening:

"I was quite surprised at how good these speakers sound, even with tough material like "Terminator 2," which has spectacular sound effects. The Midi center channel speaker was clear, and did not have chestiness. At this price ($119[US]), the Midi is one of the best center channel speakers I have heard....I tried the standard monitors in front and rear, and a set of standards in front with Minis in the rear. I preferred the standard monitors all the way around
As with the stereo tests, the standard monitors were capable of more SPL than the minis. Yet both had a natural sound with no chestiness. Again, the SubSonic 1 was a perfect match for either of these monitors.


"The maximum excursion of the subwoofer at 25 Hz and 1 meter was 3/4" peak-to-peak. That is really quite a bit, and I could not hear much harmonic distortion until the amp went into obvious clipping. All in all, the SubSonic 1 has an extremely respectable performance for a <$500 subwoofer. Although the amplifier is rated at only 65 watts into the 4 ohm load, it sounded like a lot more. Must be the 300 watt peak capability!

"In summary, the PSB Alpha Series is still one of the best values in sound for small system stereo and home theater. A set of Minis and the SubSonic 1 would be perfect system for college dormitories, while the standard monitors plus a Midi and SubSonic 1 would be a great little system for just about anyone who wants to get into home theater but does not wish to break their bank accounts."

For the full review, see http://www.hometheaterhifi.com/volume_5_3/psbalphaspeakers.html. END OF SECTION

Ken C. Pohlmann's Review in September Stereo Review

Ken Pohlman's wasn't a happy reviewer before he sat down to listen to and measure the Alpha Series . We had sent his review speakers to the wrong address, and he had to transport them in the heat of Miami summer. We had also sent him two more speakers than he'd asked for (wanting to give the option of reviewing an all A/V system or an A/V-Mini mix), increasing his efforts further. So some apologies were in order, and we echo them here. (We're also sending him a PSB shirt to replace the shirt he ruined carrying multiple speakers around.)

When Pohlmann started his review process, his annoyance quickly abated:

"The company has long enjoyed a reputation for excellent speakers, especially among 'insiders.' On the premise that anyone can make great-sounding expensive speakers but only the best companies can make great-sounding inexpensive ones, I decided to test a PSB home-theater system selling for just over a grand."

After calling the original Alpha "a bona fide classic," and describing the various models (A/V, Mini, Midi, SubSonic 1) in the review system, Pohlmann gets to his first listening reactions on Home Theater material. On Desperado's explosions, he found the SubSonic 1's "room shaking ability was less than some other [presumably more expensive] subs I've auditioned, but its output as clean at normal listening levels. I appreciated the adjustable low-pass filter, which let me dial in just the right blend with the satellites (a frequency of about 70 Hz in my room). Overall, if you're looking for raw sonic fury, this sub is a bit tame, but it's very capable at less than all-out levels.

"Next I screened the moody, sexy and violent Bound. Its soundtrack creates a realistic sense of interior, with ambience around the dialogue and portentous sounds like dripping water. I was impressed; the Alphas sounded extremely crisp and realistic, supporting every nuance of this playfully tense drama. Off-screen images seemed to be accurately placed, and the dialogue was crystal clear. I was also pleased with how accurately the Alphas reproduced the film score.

"I was generally impressed with the little PSB Alphas," Pohlmann declared. While he felt they didn't compete at very high volumes with massive speakers on massive musical scores, he found plenty to like:

"I appreciated that all of the satellites use the same tweeter, which insures well-matched timbres above 3 or 4 kHz. Moreover, the high end was quite smooth....All of these speakers play loud for their size and maintain an accurate tonality up till the bitter end. Finally, the conservative nature of the SubSonic is a plus when playing music. It handled the low-frequency content in Madonna's Ray of Light album really well. Some subwoofers get very thumpy with this CD, but it stayed musical."

His summation:

"I can forgive the mistake in my address. The company is busy making speakers that are several notches above the norm
I even forgive them for including all that extra gear. When you build excellent equipment that delivers a very solid bang for the buck, you're naturally proud of your work and want to show it off.
In fact, I liked these speakers so much that I won't even bill PSB for my ruined shirt."


Info on Home Theater
Info on Home Theater Packages



 
Corey Greenberg Takes A Look at The Alpha Series in Audio


In the June issue of Audio, columnist Corey Greenberg reviews the Alpha Series both as a Home Theater system and as music reproducers, with particular focus on the Alpha A/V, Alpha Mini, and Alpha SubSonic 1. Here are some excerpts.

Though not one of the bigger fans of the original Alpha, he notes nonetheless that "its combination of smiley-face sonics and smiley-face price firmly established the little ported Canuck as a certified hi-fi classic."

"Even though unshielded," he continues, "the Alpha found its way into enough home theaters over the years that Paul Barton decided it was time to create an entire line of Alphas especially for surround sound….The new surround-minded Alpha satellites all have shielded, poly-coated paper woofers and half-inch poly dome tweeters said to offer smoother response than the original Alpha's polypropylene woofer and older tweeter. PSB further claims enough tone-cloning across the line that a seamless sonic match can be realized from any mix of these speakers."

In his initial description of the new models and their price levels, he dwells particularly on the Alpha Midi: "The Alpha Midi center channel is essentially an Alpha Mini tipped over on its side, with a bit of response tailoring to compensate for TV-top placement….I've tried tipping over other minispeakers to make a "hillbilly center channel," but they've never sounded very good that way: The timbre changed too radically when the speaker was on its side, which made for a lousy match to the main pair. But the response tailoring in the Midi lets its sound just like the Minis, making for a seamless, coherent spread across the front."

After describing the electronics and program sources he used for his listening tests, he then gets down to performance basics on the other Alphas, starting with the A/V:

"Whether I listened to music or movies, it was obvious that the new Alpha A/Vs are a cut above the originals. The older Alpha's smiley-face response curve has been replaced with more of a Mona Lisa flat line. The midrange is considerably smoother, and the new tweeter endows the A/V with a cleaner and more sophisticated high end….held within its limits, this is a much more refined and neutral speaker than the original."

But his personal favorite is the Alpha Mini: "It's got a hair less bass, but what you gain is a livelier and more detailed midrange. Vocals, especially, sound much more natural and coherent."

"Of course, using the Alpha SubSonic 1 subwoofer to handle frequencies below 100 Hz largely moots any low-end differences between the Alpha A/V and the Alpha Mini. I think the SubSonic 1 is an excellent, budget-priced sub. It has much more slam and finesse than I would normally expect from an under-$500 subwoofer."

"It was obvious PSB spent some time knitting this new Alpha line together to work in concert, as seamlessly integrating the sats with the sub was pretty much a matter of hooking them all up and dialing in the right amount of woof. Usually I spend a good hour or so trying to tweeze one of these budget-priced home theater systems into sonically acceptable shape, but the Alpha rig sounded good from the get-go."

He was not taken with the sound of the littlest Alpha, the Alpha Mite, strongly preferring the overall sound and value of the Mini.

His summation:

"For $249/pair, PSB's new Alpha A/V is a successful update of the original Alpha and a good value. To my ears, the $199/pair Alpha Mini offers even better sound, and two pairs plus the matching Alpha Midi center channel and Alpha SubSonic 1 sub cost just $956 [U.S.], making for one of the best under-$1,000 surround setups I've heard."

Info on the Alpha Series


 
Alpha-Mini Home Theater (Minis, Mites, Midi, SubSonic 1)
Gets a Rave Review!


In the Fall 1997 issue of Stereophile Guide to Home Theater, Laurence B. Johnson offers a comprehensive review of three Home Theater systems — an Alpha-Mini-based system, the Bose Acoustimass 10 System, and the JBL Simply Cinema SCS/20 System. Let's begin with the review's end:

"The bottom line is this: The PSB setup costs $374 less than the other two systems under consideration, and sounds better than either one."

Johnson's comments on our system's performance begins:

"This is PSB's game, and few companies play it so well. The little PSB Alpha bookshelf system, on which designer Paul Barton has based the still-smaller speakers in this system, remains a benchmark for sonic performance in the $200/pair range. But compared with the shrimp-sized models arrayed here—the Alpha Mini, Alpha Midi, and Alpha Mite—the namesake of the line seems almost monolithic.

"What has always impressed me most about Paul Barton's speaker designs (and I have reviewed many of his creations over the years) is their musicality. He grew up playing the violin and his speakers invariably display a tempered musical voice. Even within the limits imposed by the reduced driver sizes and cabinet volumes of the present mix-and-match systems, that first principle also applies here, and it makes a striking difference."


The system's Home Theater sonic character (driven by a Denon AVR-5600) "revealed a warmly voiced, smartly matched array that responded to stepped-up volume demands by blooming ever larger, thanks in no small part to the anchoring effect of the PSB SubSonic 1 powered subwoofer. Remarkably compact itself, the SubSonic 1 measures about 14-1/2 inches on a side and rises just under 12 inches high. The unit's 10-inch cone driver is supported by a 65W amp. Its response is rated down to 28 Hz, and a continuously adjustable dial lets you select the cutoff frequency within a range of 50 to 150 Hz."

Getting into details on the system's sound, Johnson says:

"Although I did use a video monitor for much of this evaluation, I raised the ante a bit for the PSB array. Cueing up Good Morning, Vietnam, a masterful soundtrack that I know almost by heart, I turned off the television and tracked the sonic landscape, so to speak—a patrol-boat motor rumbling to the energizing pulse of '60s rock, Robin Williams plunging through the streets on a tireless bike in pursuit of his Miss Saigon, the hysterical "English class" in which Williams teaches his Vietnamese pupils the language of big-city streets.

"And music? It was all music. I was plenty charmed even before turning to Mozart, and even more convinced afterward."


If you would like to read the full comparative review, the Fall 1997 Stereophile Guide to Home Theater is well worth retrieving. And of course we urge you to a visit a PSB dealer, listen to the combination, and see why Johnson, in talking about the other systems' musical performance, said:

"Both were eclipsed by the PSB."

More information on the Alpha Series here.

 
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